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Showing posts with label Arnold Schwarzenegger. Show all posts
Showing posts with label Arnold Schwarzenegger. Show all posts

Sunday, 7 September 2014

The Expendables 3


Genre: Action/Adventure
Directed: Patrick Huges
Starring: Sylvester Stallone, Jason Statham, Randy Couture, Dolph Lundgren and Mel Gibson
Running: 126 Mins

Sly Stallone some how manages to squeeze a third movie out of an idea that became very boring, very quick. As someone who has supported this idea from the beginning, despite Stallone's mediocrity as far as his modern career has gone, it is fair to say that the Expendables 3 is a step too far, or a step in the wrong direction if you like. Sly, who now looks like a spread of mushy pinto beans, recruits the "old gang" for another expendable crusade only to decide he no longer needs his partners, substituting the originals for a group of amateur hoodlums - and Antonio Banderas. 

This ambitious trilogy starts off at great pace and typical expendable fashion as Barney (Stallone), Christmas (Statham), Gunner (Lundgren), Caesar (Crews) and Toll (Couture) pursue a train carrying a former expendable in Doc played by Wesley Snipes. Bodies drop and explosions appear from every angle before we meet a breath of fresh air in Doc; a delusional, skillful and typically cocky character. Snipes does well in reminding us what we have been missing since his stint behind bars (oh the irony). It's not long after Doc meets the crew that he finds himself gearing up to take down this years bad guy. Just as we thought Sly and co had wiped out the best in Van Damme and Stone Cold, Mel Gibson's Stonebanks shows up to spoil the party. Conrad Stonebanks is a former expendable (a story surprisingly left this late in the series) turned criminal arms dealer. This plot could have ended 30 minutes in and we would have judged the outcome but thankfully, Barney's expression tells it all. He knows the consequence of Conrad's existence and what it could mean for the world as we know it. Introducing Drummer, or, the new Bruce Willis played by Harrison Ford. Drummer demands Conrad be brought in, alive! Barney is kind enough to consider the safety of his crew, therefore opting to recruit a bunch of young bloods to help bring in the maniac that is Stonebanks.

And so the oldies go back to normality and Ronda Rousy, Victor Ortiz, Antonio Banderas and some other dude gear up for a war that Barney himself sees no sense in. But Sly is the front man in this movie so he needs to lead, at least until his old mercenaries are called back into the frame to save the day.

The Expendables 3 is awful on every level. First off, the original concept is out the window therefore contradicting the original idea which was to showcase a level of entertainment featuring 80's originals. While the first movie received mixed reviews, I loved it for what it was; it had humor, character, excitement and an interesting bad guy. To top it off, it was bloody as hell. The sequel clung on to similar roots, giving us more Arnie and Willis. On the other hand Jean Claude Van Damme showcased an over the top terrorist recognized in retro action flicks before him. The expendables 3 lacks the actors necessary to fulfill its original, opting for the idea of modernized technology and youthful ideas in Sly's new cast of nobodies. It's predecessors, however the ridiculousness, made you anticipate who will appear on screen next. This return showboats the same ridiculousness without the surprise, or bite if you like to fulfill ones need for entertaining action or fight scenes. The fun, comic book like anarchy is downgraded thanks to the PG12 rating, a real surprise and slap in the face regarding the gory outlandish images the first two gives us. The lack of blood is a real let down in a film such as this because, as mentioned, its contradicting the original idea which was an attempt to mimic the graphic imagery of 80's action movies. Everything from the soundtrack to the dialog, this one falls flat on its face and the result is shown on Sly's face too. The former boxer slash soldier looks worse for wear when stood next to Snipes and Banderas both of whom tried to inject some life into this movie.

Maybe this needed a Jackie Chan, Nicholas Cage, Kurt Russel or Dwayne Johnson, either way I'm not buying the whole "leave your brain at the door" nonsense because I understand that. But when it comes down to what was and what is, one cannot help but question the transformation of audience director Patrick Hughes has opted for. The change of tone is a big problem in a movie such as this. While my brain switched off in preparation for some mindless fun, I found no nostalgia this time around, rather a two hour headache filled with boring characters with little or no relevance to the original idea. Sylvester Stallone too looked bored out of his mind from start to finish; at least he found some way of connecting with the audience.







Wednesday, 5 February 2014

Escape Plan


Genre: Action/Thriller
Directed: Mikael Hafstrom 
Starring: Sylvester Stallone and Arnold Schwarzenegger
Running: 116 mins

This review is not based on how old our protagonist is and how atrocious the movie is and why it is 30 years too late. In fact Escape Plan is surprisingly entertaining, however, if you will allow me to refer back to one of two leading stars; big Sly Stallone who may as well be having a dump for 100 mins because staring at his feces would prove more exciting than the dull performance he unfortunately leads.

All roads lead to this. Escape Plan is the result of The Expendables (and sequel). 

Ray Breslin is the messiah of structural security. This beefcake has seen many prisons, both inside and out because he has the most peculiar job of all in testing the security of various prisons in order to make them escape proof. Worried (for some reason) that prisoners are not been kept behind the tightest security, Ray's criteria is that of a hitman or a plumber, except each prison escape is worth a big pay cheque. The result of such escape is to grant national security some feedback on how to pump up their boundaries. They say Ray is the best in the world with fifteen prisons failing to keep him behind bars. However one prison is bound to go against him, right? Home to major criminals and Rottmayer (Arnie) The Tomb is one prison that is off the grid. So off the grid and so very dangerous that Ray can't resist the offer. 

Ray awakens in a technological and maze like environment. The prison sets the plot of escape, featuring a "partner", a "bad guy" and a "twist". Ring a bell?

The movie's villain is Hobbs (Jim Caviezel). Hobbs controls the entire prison and is hell-bent on maintaining Ray Breslin. Ray begins to realise he may have been set up on a road of no return, therefore seeking the help of Rottmayer, leading to the match up we have all been waiting for. 

Escape Plan is yet another attempted 80's throwback when Sly and Arnie dominated bloody masculinity. Escape Plan is not exactly that but it does resemble a certain Tango and Cash for obvious reasons. The on-screen chemistry from both Sly and Arnie is terrible and non-existent but the action scenes are satisfying. One can't complain when it comes to both stars standing side by side hosting a handgun each. Arnie to be fare is clearly desperate to revive his action hero status and does so in this return to form. Arnie's character Rottmayer is the legs and arms of this movie. His presence still holds up and respectively keeps this film from falling flat on its face; he is funny, violent and, well, Arnie. The same can't be said for Sly who advertises a dull character in Ray Breslin. We are not looking for anything spectacular from the man, and while I was generous in my review for Bullet to the Head, Sly is down right poor this time around with a boring character proving hard to like from the very beginning. Unfortunately for Sly we seek Arnie's appearance as soon as the title of the movie appears. 

Overall: Escape Plan is an entertaining meat-head-fest that offers a decent plot with a decent match up. However Sly's presence proved significantly poor, leaving all the work to Arnie. A better movie than The Last Stand, and not quite as nonsensical as The Expendables, one will enjoy it for what it is -a plan of escape with two ageing hero's. 







Tuesday, 26 February 2013

Bullet To The Head

Following the mediocre return of Arnold in my Last Stand review, Sylvester Stallone has never really dispersed. Bullet to the Head is a fine throwback to 80s action movies.

James Bonomo (Sylvester Stalloneis an experienced hit-man. He is given the opportunity to avenge his partners death through Taylor Kwon (Sung Kang); Washington D.C cop looking to nail the same enemy. That enemy is Keegan (Jason Momoaa ruthless handy man for Robert Morel (Adewale Akinnuoye-Agbaje). 

Morel is head of a crime family who is known to have cops and judges under his payroll. However, it is the gruesome death of James's partner that leads to a portrayal of violence, as James and Taylor begin to wipe the gang off the map, one by one in typical Stallone fashion. 

Walter Hill's latest is pretty straightforward, re-creating a genre of movie that fantastically resembles the 80s retro theme. With very little to the plot but revenge, Stallone leads the way in fantastic shape, promoting a high level of violence, with fight scenes such as the massage parlour going down in epic fashion. Each scene is played out with typical buddy-cop interactions, with a routine chemistry similar to Walter's 48hrs (but fails to blend on occasions).

It was great to see Stallone on screen following Arnold's recurrence, taking me back to the bones of his career. The Last Stand failed to that for me. Sure, we could say that Stallone has a bigger modern day catalogue, but his presence on screen, along with his physical shape is overwhelming. We know Stallone fancies the violence, e.g Rambo (2008) and The Expendables, but the latest serves him well because he ain't directing anybody behind the scenes. Walter Hill, who comes with a serious amount of experience has taken Sly on board and made a good-guy bad-guy throw back to an era we know all too well. The retro theme tunes, fight scenes, iconic heartless bad guy and yes, one or two humorous quotes. And Taylor Kwon - who wasn't too bad either. 

Bullet to the Head is surprisingly enjoyable. It is weird because Stallone looks awful in some, yet terrific in others. Walter Hill mashed up all the pros of 80s action, some cons (bad actors) and ran with it. 

Overall: From modern day crap to 80s nostalgia, Walter Hill revives a genre of action that consistently proves forgetting your brain ain't such a bad thing. Bullet to the Head is a joy to watch, with Stallone starring in his best film since Cop Land.

7/10

Related material: Read up on more Sly Stallone with The Expendables 2 review.

Monday, 28 January 2013

The Last Stand


As far as comebacks go, Arnie's route is typical; although its concept of western parody is satisfactory in terms of popcorn entertainment.


Arnie returns to the big screen following what has been quite a successful stint in the chair of Californian Governor. Arnold bowed out of cinema after the Terminator franchise was destroyed in 2003; it was great timing to what was, in my opinion, a parody in comparison to James Cameron's vision.

Post Governor antics and events unspoken, Arnold Schwarzenegger returns as Ray Owens; a veteran sheriff of Sommerton Junction who prior has served his trade as an LAPD officer in Vegas. Considered a place for retirement, Ray is unaware of the trouble heading toward Sommerton.

Modern day bad-guy Gabriel Cortez (Eduardo Noriega) flees the courts of Vegas and heads toward the Mexican border. Taking a high speed chase (quite annoyingly through-out the entire movie), Gabriel is hell bent on crossing the border, however the only thing standing in his way is a big Austrian sheriff and his rookie accomplices.

Bewildered to the chaos reaching the quiet town, Ray is alerted of the danger through Agent John (Forest Whitaker) of the LAPD.

We discover a re-invented Arnie in typical fashion following a shoot-out in the outbacks of the town. Sheriff Owens discovers a connection between the oncoming fugitive, and Burrell (Peter Stormare); a stranger in the sheriff's territory.

The Last Stand is action packed - in small sequences. Arnie's presence is not what it was however you can't help but relish the fact that such an icon is still blowing heads off with a shotgun (similar to T2 weaponry). As expected, there is a mindless but simple plot. However for a relatively short movie it supplies timeless sequences as it reflects back and forward to the events in Vegas as we are treated with the same "bad guy in a ridiculously fast car" scene. At one stage it felt like he was never going to reach the town of Sommerton. Because you know the before and after events, you can't help but think the movie could have rushed the middle and slowed the end. After all, we are only there for one thing, Arnie!

There is around 80 minutes of comedic effort and western middle of the road cliche's that are told through a cast of amateurs. Depending on your taste, and taking into account what Arnie offers, actors such as Luis Guzmán and Johnny Knoxville become annoying. Sure, they are there to brighten up the movie, while Luis and Johnny were a tad funny, 15 minutes of Knoxville was way too long. The Last Stand is so centred on Arnie's performance that even Forest Whitaker appeared irrelevant, ultimately resulting in quite a crap acting performance.

Nit-picking at acting performances might be too harsh taking into account the simple mind-frame behind such a vivid R-rate movie. After all, Arnie doesn't have a past of Oscar material but he has certainly done better - am I living in the past? Although he does tend to revive the once pump-action madness of the early 90s. The content is similar to Stallone's Expendables however to say the Last Stand is as far-fetched would be wrong. 

There is a level of positivity surrounding Arnie's comeback, with the Last Stand offering a trip back in time. Instead of originality, Jee-woon Kim creates a very similar, yet likable role to match the cliche's of Arnie's career.

Fans of Arnold will be chuffed just to see him feature in his first starring role since 2003. Anyone heading into this flick with a logical view obviously doesn't know the history of Arnie and should some what "Wake up" in life.

Overall: The Last Stand is a typical return for Arnie. Not entirely action packed, the nostalgic good guy - bad guy concept is desperately inserted with a villain who is ever-so irritating. A dumb plot with bad actors can often be ignored by the cheesy one-liners of Sheriff Owens. Great to have him back but maybe a more intense role in the future.

6/10

See it if you like: The Expendables and Walking Tall.



Thursday, 3 January 2013

Okay, Im thinking Walking Tall Part 2!


The latest posters from the last stand replicate a similar movie (like the trailer hadn't already).
Arnie's cinematic comeback is just around the corner, and I am excited. However the trailer shows some resemblance to that of The Rock's Walking Tall and the inclusion from "off the radar" slash part-time actor Johnny Knoxville supports my argument. Yeah sure this movie is a no brainer but I can't help to have hoped for a more creative return from Arnie (excluding Jackass).

Anyway I am still looking forward to some mindless punishment from the man himself!
The Last Stand hits theaters January 25th.
 


                                                            The Last Stand (Trailer)



Saturday, 25 August 2012

The Expendables 2 Review


In 2010 Sylvester Stallone reunited the child within me, and I am not talking Disney fantasies. The Expendables was quite significant in terms of all those big names in one explosive whirlwind leading to a nostalgic spotlight in relation to the 80's action genre. What was a mindless concept from Sly, it was obvious he carried the gruesome portrayal of Rambo (2008) and brought it to the streets which consisted of explosive scenes and disturbed characters.

Expectations were high for the sequel. Was there a chance that Arnold Schwarzenegger would play a bigger part this time around? Chuck Norris and Van Damme were also popping up in trailers. It looked exciting on paper so let's find out.

So after an introduction of pure carnage and to be frank, quite ridiculous stunts, Barney Ross (Sylvester Stallone) is cornered by Church (Bruce Willis) as he once again seeks to assemble Barney and the gang for a routine mission that goes excitingly wrong. 

According to Church, Barney cost him 10 million from the previous mission so this would be the last of any dealings between Barney's mercenaries and Church. A sense of portrayal is exposed when Christmas (Jason Statham), Gunner (Dolph Lundgren) Hale (Terry Crews) and Co are found to be set up, resulting in immediate pay back and a path of destruction from the guys. The "Villain", who is titled eh, Villain, is the legendary (Jean-Claude Van Damme). Jean plays the role of a heartless Russian who is mindset on a cave full of heavy artillery leading to what he believes will create world war 2012. Yes, looking to start another world war...not on Sly's watch!

So it is from there we witness once again as Sly's expendables attempt to raise their credibility as well as save the day as they bump into Friends of old and older. (you know who).

The anticipation of the cameos we wait so eager for comes a lot sooner than expected. The action scenes and overall acting was genuinely poor. I prayed for a Schwarzenegger appearance to help make this better than it's predecessor. Trench (Arnold Schwarzenegger) is an old friendly rival of Barney and coincidentally bump into each other through-out the film as this sequel shows it's stupidity as Trench and Booker (Chuck Norris) appear in the most random of places failing to explain any logic on how and why they are there?. Booker is the lone wolf who can't help but throw in his own Chuck Norris jokes every so often.

I enjoyed this film for what it is. And what is it? well it is an all out war of the best with a plot that was thought up in the space of 30 minutes or less. To see Arnold and Van Damme back on screen was amusing and exciting. With all these egos, and with their history, neither are ever short of a quote or two...or three!

The testosterone in this film is laughable and I couldn't help but think Sly is bigger than ever as one of his veins looks the equivalent to my left leg.

One cannot help to be entertained by the stupidity of this film as we witness the over-reaction of  splattered heads, cringe one liners and mundane comedy. Unfortunately, I personally enjoyed the previous more as their was a better character in the enemy and supplied that touch of drama with Micky Rourke's involvement. Jet Li's Yang who also went missing through the sequel...unexplained really. I suppose that defines a Stallone movie in 2012.

So with a Mickey mouse storyline and a wider cast, the Expendables 2 failed to live up to the entertaining scenes in the original. I was not hoping to be blown away by actors performances but as a fan of the majorities cast, I felt, once again, manipulated in terms of the apparent involvement of Arnold and the rest that was used to sell the film.

Overall: Enjoyable if you forget your brain like I did with it's promotion supplying a better hype than the overall movie.













Monday, 11 June 2012

The Terminator: An epic past, a forgetful future


In 1984, Kyle Reese was sent from the future to protect the present...not that I remember his visit.

Just mid-way through what was the continuity of retro style 80's in-dependency. For some, their cinematic experience was about to change forever with the release of The Terminator (1984) starring the already populated Hollywood star, Arnold Schwarzenegger. Nobody, not even the man himself knew the explosive reception and ambiance that was about to flood the audience with a new dosage of fear.

A smartly created cyborg  (Schwarzenegger) sent back through time, is assigned and programmed to assassinate Sarah Connor (Linda Hamilton), a waitress at a local restaurant. Oblivious to the meaning and impact her death could have, Sarah is bewildered to find other females associated with the same name being murdered in the days before her own encounter with the killing machine.

Kyle Reese (Michael Biehn) is the other piece to the puzzle who is conveniently sent back from the not too distant future to assist and create the survival of Sarah Connor.

A battle of the greats, man versus machine, The Terminator started it all. This concept was as tense and high-octane as it came in 1984. Sarah Connors "Tecnoir" situation, the first encounter for both Sarah and the Terminator (T-800). In fact, the 80's dance club brought Kyle Reese to his protective objective in what seems unfortunate circumstances. But before they can develop lust for one another, there was only survival for one. As far as Reese was concerned, he was sent to protect Sarah, even if that means dying with the human like cyborg.

"The 600 series had rubber skin. We spotted them easy, but these are new. They look human... sweat, bad breath, everything. Very hard to spot. I had to wait till he moved on you before I could zero him". - Kyle Reese

"Il Be back". Them chilling words from the Terminator, moments before he gate-crashes the police station protecting Sarah Connor. Literally one of the most vicious, cold-blooded killing streaks I have ever witnessed in a movie. As a kid, witnessing this for the first time is haunting, but yet pleasuring the more times you see the movie. Watch and embrace as the mindless machine patrols the corridors of the station blasting out at least 50 cops with Double-barrel shotguns, M16s, UZI's, and the famous "45 Long slide with laser sighting".

"Listen, and understand. That terminator is out there. It can't be bargained with. It can't be reasoned with. It doesn't feel pity, or remorse, or fear. And it absolutely will not stop, ever, until you are dead".
- Kyle Reese


I still wonder to this day, after numerous viewings, is The Terminator a horror movie, or action genre? In my opinion, I would like to say both. When I first laid eyes on this work of art (1998) it scared the crap out of me, and that's why I am still in love with it to this day. The classic introduction, the "Terminator" anthem. When them letters come together before the first scene, you know its on, and you know, that even if its your tenth viewing, you are going to experience a movie like no other...again.

Terminator 2: Judgement Day: Like no other? Well let me tell you something, 7 years later, James Cameron returned with a sequel that was about to blow the 90's movie industry wide open. Terminator 2: Judgement Day was released in 1991. The exciting thing I believe then was the cast involved. Critics and audience global were welcomed to once again join Linda Hamilton as the ever evolving Sarah Connor.

Following the death of brave soldier Kyle Reese and her spell of survival with a killing machine, Sarah is in what seems a highly concentrated mental institution. After an apparent attempt to blow up Skynet (a high-tech production company which in Sarah's eyes believes will be the cause and creation of machines that will attempt to take over the world, hence 84"s terminator from the future).

New to the saga is John Connor, the son of Sarah and deceased father, Kyle Reese. The plot follows as a new creation is sent from the not set future, the T-1000. Not a machine but a form of shape-shifting abilities that can create and mould itself into different humans, materials, weapons etc. He is sent to once again change the future by assassinating John Connor. Why? because he is the apparent leader of the future resistance (last of the human soldiers) who what Sarah believes will help prevent the machines from wiping out the human race.

Note: Those who have not seen these movies might be confused. Basically if Sarah Connor was killed in the first by the machine, there would have been no John Connor so there would have been no significant individual to prevent the machines taking over in what is called Judgement day.  So, because she and Kyle Reese helped destroy the threat prior, a new threat is created (more advanced) to kill, who is now the primary target, the son (future leader) John Connor. If the T-1000 succeeds in what the previous did not, Judgement Day will not be prevented.

Introducing the equivalent to Kyle Reese, The Terminator model 101 (Schwarzenegger). An updated and newly programmed cyborg sent to protect John Connor. The Terminator is obviously considered a more reliable protector to Kyle who although accomplished his objective previously, machine over human is an obvious advancement.

"3 billion human lives ended on August 29th, 1997. The survivors of the nuclear fire called the war Judgement Day. They lived only to face a new nightmare: the war against the machines. The computer which controlled the machines, Skynet, sent two Terminators back through time. Their mission: to destroy the leader of the human resistance, John Connor, my son." - Sarah Connor - T2 Intro

T2 was quite obviously an updated account to what was revealed to fans in 84". Schwarzenegger is now the protector rather than the villain, in what some fans might say was a great choice. (although T2 is as classic as they come, I adored the bloody mess Arnold made in 84"). Robert Patrick was a fantastic addition as the sequels relentless villain. The T-1000 gives as little chance as a terminator as he too takes it to the extreme and stops at nothing to accomplish what seems a "MUST" objective for the machines future. Edward Furlong plays the wonderful character of John Connor and demonstrates his brave ego as he quickly develops into the soldier the future expects of him.

In terms of effects and well to be quite honest, acting, T2 runs a mile as the all round cast and final production is sweet.

The Chase scene: This is the explosive introduction between John and the terminator. The T-1000 quickly tracks the where-abouts of John and his unfortunate foster parents. Aware of the threat to the boy, the terminator finds John before the metamorphosis killer can lay hands on him. This leads to an epic chase in which John is dragged onto the terminators bike as they are both chased through back alleys by the T-1000 who is pursuing in none other than a bad ass truck! A tense and eye-opening scene as the Terminator does his utmost in using a wicked shotgun, blowing holes through the liquidising life-form, leaving what is unfortunate to be bullet wounds that the T-1000 shows its tremendous ability to heal...very quickly!

"On August 29th, 1997, it's gonna feel pretty fucking real to you too. Anybody not wearing 2 million sunblock is gonna have a real bad day. Get it?" - Sarah Connor responds to Dr. Silbeman.

T2 Judgement Day appears to be a huge fan favourite and will continue to be. From start to finish, it moves at a fast pace, with its cold blooded concept and wicked acting from both Linda Hamilton and Edward Furlong. Although I would never compare both originals, T2 does have a slight advantage in terms of it being a brilliant drama. It is, and will continue to be listed as one of the greatest movies ever made along with a peak that Arnold Schwarzenegger would never rise above!

Terminator: Rise of the Machines: 12 years on, a director by the name of Jonathan Mostow was to officially stamp a third chapter to what was now, a trilogy. As far as we where concerned, T2 left off in epic fashion and emotional credits. Arnold Schwarzenegger was on the verge of becoming the Governor of California. Why? I fail to understand. Anyway, each to their own as they say. In the year he was to be crowned the governor, he managed to squeeze in, what was the release of T3.

John Connor (Nick Stahl) is now in his late 20's, washed up, hanging around bridges drinking booze as someone who was once a clever, arrogant young kid, is now an alcoholic. Oh it hurts to exclude Edward Furlong. He explains his situation reflecting a brief past and describes his current life as constantly on the move, staying under the radar from any opposing threat to his life. Once again, a threat from the future is sent to wipe out the only hope for the human resistance, Sir John. A new era of course, a new villain.

T-X aka Terminatrix (Kristanna Loken) is the lucky gal. She is a human-like cyborg, just like the previous terminators, except way more advanced in terms of investigation and high-tech weaponry and skills. I must add though, she is less a threat than the T-1000 ever was. I mean, anyone can guess that from her first appearance. Now, that is not being sexist is it? I mean I agree women have a place in the terminator saga (Hamilton), she just has to be at least half relevant and not a villain. In my opinion.

So it seems a weak John Connor expected the return of something at some stage in his life-time. He is now lonesome after the death of his mother Sarah. Yes, they killed her off...what Hope have we now? Well there is still hope for Johns origin to be lived out as another terminator model (Model 101) is sent back to protect the soldier to be. We also get introduced to the future wife of John, Kate (Claire Danes). A slight twist to this puzzle is Kate's father is a U.S force General at Sky-Net and controls the military computer systems that lead to the machines take-over. (a virus from sky-net infects the machines).

Lets touch on Arnold's 12 year return to the genre that boosted his career. He once again plays a cyborg. A newly programmed model (as usual). Prior to the movies eager release, I remember reading that Jonathan Mostow was set to make it a rated 12 audience. Why? not an exact quote, but something along the lines of, "I want a young generation as well as mature to witness my account of the terminator". In other terms, he wanted to be greedy and widen his audience, fearing that those who grew up around the originals will laugh and spit in his face for mocking such a saga. apologies.

Back to the new model. Arnold returns in particular, obvious fashion. As we seen previously, he rocks the dark shades every time. He attempts to do so in the introduction only to find he is wearing star shaped costume glasses. An attempt at humour from Mostow that I have no doubt was funny at the time, but now I ask, why? well, it is rated 12's.

Another ridiculous scene where Arnie is stuffing a basket full of food with an ageing John in a local supermarket. As the terminator proceeds to leave without paying, the shopkeeper shouts "Hey, and a newly constructed Arnie sticks his hand in the guys face and responds with "Talk to the hand" and walks out. Again, we get the attempted humour, why? well, after all it is rated 12's.

A bad move in my opinion. He clearly went in with his own concept, which is fine, and actually didn't do too bad trying to relate it to the previous movies, but for me, it completely lost that seriousness that made the originals so successful and left a staunchly result of an unnecessary parody.

In fairness to Mostow, the action scenes, quite obviously they were eye-catching as it was now 2003 and CGI (Computer generated Imagery) was at its best then. One of very few memorable scenes was a highway chase which was quite nostalgic in relation to T2. It did, in fairness look excellent as there were all sorts of chaos going on, as we witness once again the desperate attempt from the T-X to get to Connor as she looks to crush John and his protector with a crane on wheels!...seriously.

As for connecting dots relating to the previous successors, Rise of the Machines sticks to the terminator survival concept but lacks any ability to make the story sound as serious and relevant as it should be. There are no particular rise of the machines. We just assume when John and Kate make it to the bomb shelter in the end, the machines are rising. Something myself and I am sure most wanted to see more of. Instead we witnessed the constant worthless attempt of the T-X trying ever so hard to bitch slap Arnie and kill John. I think this is the only terminator movie I actually wanted to see a so-called hero die. I mean John Connor just wants to be put out of his misery in this return. The future of Sky-net should have sent another T-1000 for gods sake!

Rise of the Machines was mediocre in terms of entertainment. Other than that, on the basis of bad actor replacements and slapstick humour, T3 is highly forgettable.

Terminator Salvation: A whole new gathering of actors, writers, directors led to what was revealed to be a positive return to the franchise. Although one change of vision was the exclusion of Arnie as he was, by now well settled into his crocodile skinned governors chair. Was this a good thing? yes it was. It was time to move on, a change of pace if you like. Also taking into account the only positive thing that came from his last appearance was a fatter wallet and the usual "Hasta La Vista". But something tells us we had not seen the last of the sleazy Austrian. (Sleazy, as in he takes a liken to his own maid it seems).

John Connor (Bale) is now in control of what was surely the foreseeable future. It is the year 2018 and Connor is the only survivor of the unsuccessful attack on a Sky-net facility (Where T3 left off).

After a decade of fight and survival to prevent the machines from taking over, there is nothing but rubble, abandoned buildings an human-made shelters and facilities for those remaining. John Leads a team of soldiers (resistance) in its war against Sky-net. We see a young Kyle Reese (Anton Yelchin) who is a clever individual who like the remaining humans, is trying to stay alive. He remains unfazed and anonymous as he is yet to meet the leader (His son) John Connor. The plot focuses around the companionship between Kyle and Marcus Wright (Sam Worthington). Marcus is the new Terminator, although he himself is unaware of his powerful abilities, as he is manufactured the same, but he has feelings and human like organs which is a first. He too is constructed to end the war against the humans. although Marcus is oblivious to his placement in the war, his once human walk of life affects his position and begins to question what he is, and why was he brought back this way?

As John is unaware of Reese's existence, he continues to make routine radio transmissions through-out the city's remains, calling on all survivors to stay strong, survive, as he believes patience is the key to beating the machines. As Connor and crew focus on a possible loophole in Sky-net, it is when he stumbles across an apparent survivor brought into base by Williams (Moon Bloodgood), yes that is her real surname.

 The survivor is Marcus. It isn't long before John arouses a suspicion concerning the origin of Marcus and the reason he is alive. Things get under way when Connor discovers Marcus to be a cyborg and demands for its termination as he has deep concerns for his crew and himself who is the key to seeing out this war.

"I knew it. I knew it was coming. But this is not the future my mother warned me about. And in this future, I don't know if we can win this war. This is John Connor." - John Connor

What does Salvation offer? well, a whole new concept in what feels so far from where the Terminator originated. Although one can not fault a brave attempt at something the fans waited ever so long for, its concept of John eventually teaming up with Marcus to find Kyle Reese is extremely unbelievable. Yes John has his doubts at first, after all, he did witness the development and decease of both his mother and a Terminator he had once looked up to. He does not take any chances at first, but when you are watching the movie, it seems an obvious choice for him to join forces with Marcus as the terminator is the key to offering the resistance a one chance opportunity to infiltrate, and destroy Sky-net once and for all.

The fourth instalment is however unique in terms of the design, action and its overall appearance regarding the lack of CGI that still led to an extraordinary result. (T3 used CGI for the Skeleton models etc. Salvation went old school and created Worthington's Skeleton).

Christian Bale as Connor can hardly go wrong as his career speaks for itself, but did he have to inherit his Batman voice for John Connor? Maybe it is just his persona in general I wonder? well, after the rant leaked online I was left highly excited as we as the fans felt the performance coming prior to the movies release. So on that note, Bale done tremendous as the boss man slash future soldier. In fact it is unfortunate to say in fact he carried the movies will and desire. Sam Worthington at the time was an amateur and got his first big blockbuster. I liked his debut, but now he remains an amateur as unfortunately for the guys acting credentials, I can not stand the sight of him.

"You and me, we've been at war since before either of us even existed. You tried killing my mother, Sarah Connor. You killed my father, Kyle Reese. You will not kill me." - One of very few memorable scenes as John comes face to face with Worthington's terminator.

Anton Yelchin was decent as Kyle Reese. You can see the charismatic similarities to the original actor, Michael Biehn.

Although the movies plot is also based on a weakness discovered by the resistance that could be a possible dismantle of the machines, it never really developed a significant affect. I mean we are talking a possible end to a war that was for seed for nearly a century. It does outclass the previous movie in terms of seriousness, which is quite significant in relation to its grandparents.

It was original as we got to see the war (I don't even know if it is Judgement Day at this stage) The out-come for certain personalities such as John and Kyle Reese also gave the movie a hint of nostalgia but it is so hard to offer the same love to the characters as you do in the originals.

The Terminator, Marcus Wright is nothing less than anonymous, as you do root for the resistance but you wonder why they even bothered writing in Washington's character. The movie could have stuck to the war concept we see so rarely in Salvation, rather than writing in an unnecessary distraction that was Marcus Wright.

The result in terms of entertainment and blockbuster action will please any movie buff looking for a good time and maybe some clarity, taking into account the disappointment of T3. Unfortunately like most movies today, comparing them to 70s, 80s, 90's classics is pointless and will always be a waste of time. It is true, the industry have provided us with some unforgettable work. It is great to see Steven Spielberg, Ridley Scott, and James Cameron provide us with their beautiful vision and mesmerising concepts to this day. But their movie credentials origin from the past, not the future.

When Christian Bale said "Il be back" towards Terminator Salvations climax, I'd decided I have had enough.

The Terminator will always be credited for its epic past, and forgetful future... "Hasta La Vista baby!




For more classic Terminator quotes, click IMDB's link below.
http://www.imdb.com/title/tt0088247/quotes













Wednesday, 23 November 2011

A classic Movie, A classic trailer

Possibly up there with one of the greatest movies every made. They simply do no not make movies like this anymore, even trailers this disturbing don't exist in todays cinemas. This trailer frightens the viewer in to seeing the movie...something they lack in the movie industry in 2012.

BRING BACK THE TERMINATOR TO OUR CINEMAS!

Terminator Trailer: 1984