Only God Forgives

It is almost impossible to start off this review without mentioning two things; Nicholas Winding Refn’s cinematic impact, captivating audience global with “Drive” (2009), and of course the continuity of Ryan Gosling’s on-screen success. So of course fans were looking forward to what the two can come up with next in Only God Forgives; a game of who blinks first, who can create the most tension using strictly facial expressions, in fact Refn’s latest vision is so overly pretentious, you just wonder if his ambition to match that of Drive led to sleepless nights, resulting in a very average movie.

Based in the slums of Bangkok, prostitutes and drugs are extremely rife and Julian’s Thai boxing club is at the centre of it all. The club is a smokescreen to hide a family run drug operation in which Julian (Ryan Gosling) runs alongside his brother Billy (Tom Burke). We are not forced to indulge in Billy’s psychotic persona for too long as he is hacked to pieces in a brothel. The savage murder sees the involvement of Julian’s mother Crystal (Kristin Scott Thomas) whose deranged character has clearly rubbed off Julian, resulting in a Norman Bates style relationship

The Bangkok area is patrolled, tortured and extremely feared by the corrupt Chan (Vithaya Pansringarm); a sergeant of the police who murders his victims in a ferocious way.

On one hand we have Crystal who seeks revenge for her son’s death, and then we have Julian who continues to mourn in the creepiest ways possible as he slowly patrols the darkly red corridors of a brothel, aimlessly looking at the walls. Julian spends his nights fantasising about sexual affection, and drifting in and out of the possibility of a showdown with the murderous Chang.

As expected, Refn hits us with a retro themed sound bite that was so significant in Drive. However, while the stage is set in the gritty visuals of Bangkok, Only God forgives fails to provide an efficient story to back up the design. While the plot is supposed to focus on vengeance, the lack of dialogue from the apparent protagonist (Gosling) is surprising as the director goes on to exaggerate his “knack” of creating tension with facial expressions in every scene. And while Julian and Chang do this very well when they match up, the Dracula style piano tune and the consistent thump of a loud drum really creates the atmospheric tempo as its consistent noise becomes a substitute for any potential dialogue.

The movie survives on small talk, strange looks, slow-motion and unnecessary violence. While Refn expressed his grotesque side in Drive previously, he also had characters to back it up. Sure, we can look at Gosling’s on-screen presence all day but the man lacked any soul this time around. Same goes for the small cast involved who spent most of the time advertising stand-stills. 

The Concept of the movie is recognisable coming from Refn's point of view. It is visually satisfying with the sound similar to that of Drive. The "artsy fartsy" clan may claim to acknowledge a sense of enjoyment from Refn's latest but what seemed obvious to me was that Only God Forgives sounds great, it looks pretty slick and while some sequences may be entertainingly weird, it is very far from wonderful.

5/10

Only God Forgives - Trailer 

The Wolverine

Genre: Action/Adventure
Director: James Mangold
Starring: Hugh Jackman, Tao Okamoto, Rila Fukushima, 
Running: 129 Mins

If there is one thing we can all agree on in terms of X Men's prolific Wolverine character, is that Hugh Jackman enjoys the hell out playing him. And while X Men: The last stand (2006), along with Wolverine (2009) have been pretty much steam rolled and crapped on by not only comic book fans but movie buffs as a whole. Hugh is undoubtedly adamant in providing cinema-goers with a longer lasting taste in their mouth this time around, and that taste doesn't necessarily have to be a bitter one.

The Wolverine is a more in depth focus on Logan's struggle to overcome the fact that he has and will more than likely continue to struggle with his mutant ability. Following the events of The last stand, Logan is located out in the cold (literally) as his wolverine skills are put to good use as his choice of a nomadic lifestyle results in a homeless rugged wolverine. His dark days are spent suffering with regrettable nightmares relating to Jean Grey (Famke Janssen). Logan is hunted down as the great "Wolverine" by Yukio (Rila Fukushima) and invited to Japan where he will be tested of his true desire with Yashida (Hal Yamanouchi) offering him the chance of immortality. It is the event of that meeting that leads Wolverine into a physical battle of emotion and choices as Logan is caught up in an internal war, as Yashida's niece (Tao Okamoto) is targeted by the sleazy Viper (Svetlana Khodchenkova) and her cohorts. 

Logan is attacked from all angles as he begins to realise that the Viper is after much more than Yashida's niece,  leading him into the fight of his life even if it means losing a lot of blood. Wolverine embarks on an exciting warpath, one that involves less exaggeration (Helicopter battles free) and some straight up gut wrenching!

Directed by James Mangold (Walk the Line), The Wolverine is an explosive adventure when it needs to be, adding a touch of drama when it mattered. Hugh Jackman's Wolverine is far more engaging this time around, as you follow him from the events in Japan, to the cold woods right through to his battle with immortality, you pity the Wolverine at times, particularly in his struggle to let go of his true love that was Jean Grey (X.Men).

The staging premise in Japan is a wonderful set, giving off quite a comic book feel with a dark twist. While the overall cast is not much to brag about, the chemistry between Jackman and Rila Fukushima is very surprising as you will find yourself rooting for Rila's kick ass character just as much as Wolverine.

The Wolverine stages some satisfying action scenes such as the scrap on the bullet train, and while it is probably the most far-fetched scene in the entire movie, you understand the concept and quickly adapt to the vision of Mangold which ultimately leads to a showdown of many battles. Numerous villains such as The Viper, Shingen, Noburo (excluding the abundance of cohorts) is one flaw of the movie as it appears messy at times and quite direction-less as there is no official focus on a particular villain which can lead to you completely forgetting who you should fear until they get screen time. The Viper is probably the worst villain played in any Marvel movie so far. Maybe it was the actor or the writer's job, but she was plain and simply crap, dull, characterless and just down right careless. She reminded me of Uma Thurman's poison Ivy performance; poor and downright irrelevant. The Viper is noticeably filled in to add a touch of dangerous femininity which turns out to be boring!

We could talk of the bullshit romance that unexpectedly develops for Logan, but let's not be too harsh; with great cinema comes great stupidity, and the wolverine, make no mistake, throws in some stupidity but nowhere near the car crash that was X.Men Origins.

The Wolverine is really enjoyable, with Hugh Jackman's admiration for the character shining brighter than ever. Whether this will lead to another X.Men flick time will tell, but if it was a choice between another "tired" Patrick Stewart X.Men, or an official Wolverine sequel, a Wolverine sequel would probably come off better.

Overall: A great action flick under a well designed premise, and while the villains could have had more character, it is still highly entertaining.

7/10



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Star Trek Into Darkness

When J.J. Abrams reinvented Star Trek back in 2009 his intention was to appeal to fans of the franchise and the not so, taking the ever so popular modern element of things and running with it. Doing so has reeled in a huge demographic; if not for the plot, then for the fantastic sequences of action. Those who thoroughly enjoyed Star Trek's Hollywood return were left to anticipate an exciting sequel in what was surely on my list of the summers most exciting movies. Star Trek into Darkness has not only satisfied my thirst for action, but its simple plot of revenge along with the return of Kirk and Spock that has paved way for a J.J. Abrams inter galactic trilogy. 

Beginning at a fast pace, we are immediately reminded of Kirk's (Chris Pine) leadership upon the Enterprise as he puts the crew in jeopardy following his decision to save Spock (Zachary Quinto) from an erupting volcano. Thinking about friendship rather than the reputation of the federation, Kirk is demoted and the Enterprise removed from his control. Meanwhile John Harrison (Benedict Cumberbatch) is about to destroy the federation from the inside out, reinstating his own history with the federation by blowing up one of its organisations in London. His catastrophic mark is the first of many as he sets on destroying everything in his path using personal revenge as a valuable motive.

Kirk convinces Admiral Marcus (Peter Weller aka Robocop) to let him go after John who is holding ground in Klingon territory.

So begins a cat and mouse plot, as Kirk along with Spock regather the team of explorers in a bid to capture the one man army that is John. Desperate to bring John to justice, Kirk and the Enterprise fight through the powerful force of John, only to unravel a historic tale of love and revenge, leading to consequential decisions from everyone on board the ship.

The star of the show here is Spock, as he continuously plays the conscience of Kirk to a wonderful extent. Spock is involved in a tremendous introduction and a frenetic showdown.  His onscreen friendship with Kirk is both comedic and dramatically heartfelt through out the events of the Enterprise's ambitious man hunt. Chris Pine is brilliant as he masters the heroic persona of Kirk once again - showing off his dramatic skills also, in scenes of quality acting.

This is not a "leave your brain at the door" type of flick, so it is open to people who choose to nit-pick at potential flaws of the movie. In terms of Star Trek history, I am not the guy, however Star Trek into Darkness does offer scenes of endless solutions, even at the worst of times. While Kirk's vigilante style heroics are played to the fullest, the movie's disastrous scenes are always met with simple, yet predictable solutions in almost impossible circumstances. I found that quite annoying through-out, and you will find these decisions being carried out right up to the climatic ending. I would not have been surprised to see Spock or Kirk whip out shark spray from a bat belt!

But ignoring their desperate attempt at survival, the villainous presence of John Harrison is spine tingling  This guy does not hold back. The heartless thrive of John reminds you that of agent Smith in the Matrix. Comparing powers would be fun actually!

Into Darkness offers a more dramatic element than the first movie, revealing a selfishness within certain characters of the movie, which blends nicely with the darker, more in-dept elements of the sequel. 

Star Trek into Darkness is a good time, as J.J. Abrams shows off his brilliant imagination and his motivation behind transferring a simple plot of revenge using quality cinematic visuals for you to explore. Just like the first movie, the dialog involved with characters such as Kirk and Spock, not forgetting Scotty (Simon Pegg) and Bones (Karl Urban) who are all a joy to engage with.

8.5/10

Star Trek 3 has been announced for 2016, while fans can look forward to J.J. Abrams and his take on Star Wars in  Star Wars: Episode VII.