American Sniper: A Movie Review

Genre: Action/Drama
Running: 132 mins
Directed: Clint Eastwood
Starring: Bradley Cooper, Elise Robertson & Goat-Winston

American Sniper is the story of Chris Kyle; a prolific killing machine with 160 kills on record. Renowned as "The Legend" on the grounds of war, Bradley Cooper portrays Chris as someone with much emotion, mental torture and aftermath being an interesting (and surprising) direction in Clint Eastwood's film, despite Kyle's autobiography being "slightly" different in his hunt for American glory. However was this film worthy of its recent Oscar nod?

Spread out over four tours to and back from the war in Iraq, the movie begins by capturing the pinpoint accuracy of Chris Kyle with an intimate scene involving a deer-hunt and a lesson of life's values and harsh realities with his father. With ambitions of being a cowboy looking less likely, the attack on September 11 motivates Chris to play a part in the war against Saddam Hussein's divided Iraq. There we see the build of one man's innocence to the guilty pleasure of killing his proposed enemy. Despite his deadly occupation Chris struggles to balance both his marriage and his desire to stay on the grounds of war.

Director Clint Eastwood captures action and storytelling in a wonderful way but one has to question the source material which is either false or misused for sheer entertainment; so much so that American Sniper may have accidentally wound up in blockbuster territory. This is a cliched story of one mans ego born out of legendary stories both on (and off) the grounds of war with a gruesome battle of who snipes best as Chris sets his scope on "The Butcher" and his troupe. The Butcher is the enemy introduced to add a novel twist to this trail blazer. The Butcher is a horrid man who drills out the eyes of his victims. This is a surprising story that, despite all of what is happening in the Iraq war, a hero versus enemy backdrop is not so backdrop and overshadows the initial story of the navy SEALS and war. Chris Kyle's battle with another sniper through-out this movie proves shamefully entertaining and one can only imagine this to be fantasy in regards to the official story. Other scenes are wonderfully made up too. One such is made for the propaganda enthusiast; Chris Kyle watches on as the second plane hit the twin towers in a scene fictionally crafted to give off a heroic impression of Kyle. We know this event was so tragic it sent shock-waves through-out the globe, but justice looks destined to be served by an emotional Chris Kyle however the movie cuts to him fighting in Americas's war against Iraq? Wasn't  9/11 orchestrated by Osama Bin Laden and not Saddam Hussein? The movie fails to tell us our leading protagonist has wound up in the wrong place.

Based on the book "American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History" by Chris Kyle himself, this movie adaption is a a slight reflection of Kyle's pro-war diary, E.G. the citizens of Iraq are branded "savages" in the movie also. So because this is "Chris Kyle's story" the movie struggles to find a balance, while Clint Eastwood's pro-American perspective is evident throughout (9/11 being one unnecessary ruling in the movies plot).

From a neutral standpoint audiences will applaud the cinematography which is mashed up of beautifully shot landscapes of war, the nitty-gritty tight-squeezed housing of Iraq which gives off a claustrophobic feel of being in battle with Chris Kyle as he picks his enemy off one by one, and the explosive final showdown which is breathtaking all the same. Bradley Cooper on the other hand gives a memorable performance but far from his best; a sense of reality is lacking in Cooper's portrayal and is often saved by his wife Debbie who is played by Elise Robertson. Elise brings this story of consequence and death to a more humane state of mind with a wonderful performance and really grabs this movie by the scruff of the neck whenever she appears on screen.

This is an entertaining movie that is fictionally suited to create a hero in Cooper's Chris Kyle which is true to some extent. Critics claimed a lot of what Kyle has admitted to be pure false, therefore it is difficult to ignore that when watching American Sniper so best see the movie before you read the book. American Sniper sat next to movies such as "The Theory of Everything", "Selma", "Boyhood" and "The Grand Budapest Hotel" at this years Oscars.  Because this movie is running on "fact" based on one mans story it never stood a chance really. However American Sniper is indeed a fine action flick at best with a story so extraordinary on paper that Mr Eastwood ran with the superhero blockbuster effect, transforming Kyle's pattern of kills and emotions into an onscreen plot that should be taken with a pinch of salt.

Prisoners

Genre: Crime drama

Directed: Denis Villeneuve

Starring: Hugh Jackman, Jake Gyllenhaal, Paul Dano, Viola Davis and Terrance Howard.

Running: 153 Mins 

Following a thanksgiving gathering across the street, Keller (Jackman) and friend Franklin (Howard) find themselves calling their daughters names down a wet and windy suburban avenue. Alert of a suspicious van parked outside previously, Keller realises the daunting situation that both Anna and Joy's disappearance is subject to a double kidnapping. 

The streets become ever so lonely and the situation becomes a reality when the local police, including detective Loki (Gyllenhaal) turn up to gather some information regarding the daughters of both families. As Loki digs deeper into the possible characters involved, Keller struggles to maintain his peace, making matters worse for Loki, Franklin and everyone involved. While Loki is adamant and confident in finding the kidnapper, the circumstances become harder to accept with a plot revealing deeper answers as Loki thinks he has found the answer in Alex (Dano), only to unravel some loose ends in an investigation that becomes harder to tie up. 

Prisoners reels you in easily with a story that becomes ever so gripping but to say it is enjoyable may be the wrong word; more interesting and satisfying (in parts), with a gathering of dark scenes that leave a bad aura every time. Director Denis Villeneuve really hits home with this strong, relate-able topic, with its aggressive scenes and terrific performances from the cast, you could say the result is all too real to actually leave the cinema with a fine grin. It supplies a gritty, yet extremely depressive aura similar to that of David Fincher's Zodiac (2007) with its endless discovery moments yet as a member of the audience, it takes you back to square one every time.

The possibility of this happening quickly dawns on you from the beginning as Villeneuve's vision of relating it to factual kidnappings seeming all too real. Prisoners is a frightening tale of some wonderful, disturbing and dedicated characters that refuses any sense of euphoria from the very beginning.  

While Prisoners deserves much applause for its modern vision on a disturbing and quite existing society, Villeneuve assembles a great cast of actors to help create just that. It is one of the most nail biting atmospheric crime dramas of 2013 thus far. 

Hugh Jackman and Jake Gyllenhaal maybe on the hunt for bragging rights at the Oscars this year, and while Jackman's performance is the most talked about, both men are countered for their own, personnel performances; ones that may stand a chance masterfully at the forth coming Oscars event. 

Prisoners is certainly not the most upbeat crime dramas of the year but its deep intentions are heartfelt. The performances from the all round cast are jaw dropping, with a plot seeking nothing less than sorrow from its audience. 

That's all for now guys, thanks for reading.