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Sunday 30 September 2012

House at the end of the street Review


I have come to learn what was once described a "Horror" genre is now a word that is well and truly deceased. We think Horror and reminisce on classics such as A Nightmare on Elm Street, The Thing and many others I am sure to think of once I sign off! Suspense thriller is now a descriptive genre that has been around for a while, but I still find myself phrasing horror. The fact the majority of poor Suspenseful horrors have torched us over the years, I think I am finally ready let go of a genre that will always be remembered for its recognition through-out the 70's and 80's.

In terms of the review ahead, let's start off by referencing the quotes in the image above; The following movie is NOT deeply scary with a twist that is far from awesome but is in fact decent, a word equivalent to acceptable where I come from.

 What seems an ideal family dream home, Elissa (Jennifer Lawrence) is the first to find conspicuous events surrounding the landscape of their new home and the rural town within. Her mother Sarah (Elisabeth Shue) is desperate to remain optimistic and sees the move a fresh start from a troubled past we know little about.

Elissa is more than a little helpful after learning a murder had occurred in their new home, leading to flirty chats between herself and ideal genre heartthrob Ryan (Max Thieriot), the son and last remaining member of the murdered family. The long time suspect is Ryan's younger sister who, since the killing has never been seen. While a myth of the demented sister lurking the backyard of the woods, we see Ryan is holding her on basement arrest to savour himself of any further troubles.

With the plot praying on a routine escape from the enslaved sister, most of the movie focuses on a developing relationship between Elissa and Ryan, despite the despicable weight from the locals. Just like your basic romance concept, the mother isn't happy for obvious reasons, Elissa wants to be with him so there is nothing anyone can do. The film gets to the point where you forget there is a girl being starved in Ryan's basement. The movies backbone is depending on the occasional fright from the sister while trying to balance a chemistry of love that blends together like Tabasco and tea!

There is a twist that you feel quite privileged to have witnessed first off, but give it time. You ever find leaving a movie and thinking "yeah, somewhere in the back of my mind I enjoyed parts of the flick", but the more you think about it, clever twist or not, the majority of the film was rubbish. There is more suspense slash horror in the Gremlins, honestly.

Note; The House at the end of the street is indeed at the end of a drive-way surrounded by a concept of creepy woods. You won't find a street associated with any house in this film.

So with an old school introduction that was quite pleasing in terms of scary, it quickly changed course trying to develop something completely different to what the trailer had revealed. A twist at the end does not make up for the first 95 minutes.

Overall; A typically mundane attempt at a tiring genre. Just another cheap concept that although supplied an okay twist, the overall suspense and characters involved where downright careless. Wait for Sinister!



Wednesday 26 September 2012

Europa League Preview By Kevin Kelly


Europa League Preview:
So just what can Liverpool expect on their forthcoming European adventure?...

Liverpool have been drawn in Group A of this years’ Europa League competition alongside; Udinese of Italy, FC Anzhi Makhachkala of Russia and BSC Young Boys of Switzerland in a group that quite frankly wouldn’t look out of place in the Champions League.

Indeed if Liverpool are to progress through the group stage, they will need to beat some very decent teams, with journeys to Udine, Italy and especially war-torn Degestan, Russia looking harrowing to say the least.

Liverpool will resume their Europa League campaign on Thursday 20th September in Bern, Switzerland away to BSC Young Boys, and finish their Round 1 fixtures away to Udinese on Thursday 6th December.

So, what can we expect from each team?

BSC Young Boys:
Firstly, let’s get the dodgy name and any awful puns out of the way. BSC Young Boys play in the Swiss 1st Division and finished 3rd last season.
They’re managed by a guy by the name of Martin Rueda and play in the Stade de Rueda which holds a respectable 32,000. Notably, they play on an Astroturf pitch, which may cause a hindrance or two for our boys. They’re captained by goalkeeper Marco Wolfi, whilst their vice-captain is midfielder Mario Raimondi.

Udinese:
As you most likely know, Udinese are Italian and play their games in the historical city of Udine, situated in the North-East of Italy. They play in the Stadio Fruili, which holds 30,642. It’s a multi-purpose stadium with a running track so don’t expect a cauldron of atmosphere. Udinese are managed by Francesco Guidolin who has been managing mid-table Serie A and Serie B teams such as Genoa, Palermo and Bologna since the late eighties. Their star play is the effervescent striker Antonio Di Natale. Di Natale is 34 and has scored 135 goals iin 264 games since joining Udinese in 2004.
Last season Udinese finished 3rd in Serie A. However they were a penalty kick away from Champions League football this season, with new signing from Botafogo Maicosuel missing a very poor (Paneka chipped penalty) which cost the club upward of 20 million euro.

FC Anzhi Makhachkala:If you haven’t heard of Anzhi by now you must have been living under a rock! Fc Anzhi play in the war-torn city of Dagestan in Russia and most notably, they are loaded! Recently bought by Oligarch Suleyman Kerimov, their world, like that of Manchester City, has changed forever.

Three months after buying the relatively small club he made Samuel Eto’o an offer he simply could not refuse, a whopping €20 million annual salary making him the highest paid player the game has ever seen. Since the mammoth addition of Eto’o, Anzhi have bought Lassana Diarra and Zuri Zhirkov.

Not only have they bought some good players on crazy wages, but they have Brazilian Legend Roberto Carlos as their sporting director after he retired playing with them last season! Their manager isn’t bad either, a certain Mr Guus Hiddink!

For all their wealth, these stars play in an extremely poverty stricken city, it’s so bad that the players reside and train in Kratovo, a village near Moscow. The training base was previously used by Saturn Moscow Oblast for training sessions. The club fly in for home matches. This is for security reasons and entails, according to the BBC, "flying about 1,000 miles (1,600 km) 15 times a season" for the home games!


Lawless


Director John Hillcoat must have pulled some serious strings to reel in what appears to be a phenomenal cast representing what we hoped would be a fantastic film.

Set in Virginia, County Franklin is home to the richest and poorest minorities. While parts of New Orleans is struggling within an era of the great depression, the Bondurant family run a bootlegging operation; a profitable alcohol business which proves to be the backbone to the family's financial survival and an income of reputation from the locals. Forrest Bondurant (Tom Hardy) is the eldest of three brothers who not only keeps the operation running, but the discipline of his screwball brother Howard (Jason Clarke) and Jack (Shia LaBeouf).

While Forrest is the "silent but deadly" type and Howard a demented alcoholic, Jack is singled out as one with an emotionally detached personality and a liability to their operation. But it is when the town is greeted with a new face that the folks associated with the Bondurant family are put under scrutiny to spill the beans on the operation. Introducing Deputy Charlie Rakes (Guy Pearce), the devil of Virginia, who sees an opportunity in the Bondurant's alcohol business revealing a corruptness to his dark personality.


With one eye on Charlie's demands, Forrest is caught up with new barmaid Maggie (Jessica Chastain) who is set on proving her loyalty to Forrest, and something more. As Deputy Charlie is hell bound on destroying the towns alcohol advantage, apprentice Jack is trying to balance an ambition of two sides; to prove his own worth for out of town gangster Floyd Banner (Gary Oldman), and to convince his love to upper class lady, Bertha (Mia Wasikowska).

So as things quickly escalate, it is when Charlie and his cohorts of the law begin to use physicality in order to send a message to Forrest and co who remain stubborn under the pressure of the task force, leading to unnecessary violence and a clash of emotions. Jack, who metamorphose into a cocky somewhat brave new character following his association with Frankie, the result of his mind frame can either help rid Charlie's devious activities, or jeopardise everything the family have worked for.

Based on factual events, the screenplay is well represented while the director had a variety of actors to nit-pick and blend with the right scene and their credentials. Unfortunately, besides from the quality within the cast, the only actor who stood out in this was Guy Pearce, who gave a haunting performance and took the portrayal of sadistic drama to another level. What is introduced and eventually closed as a fairy tale book, the seriousness of Pearce's on screen ambiance makes this flick seem more serious than I think the director had intended. Besides from a complete focus of darkness, Tom Hardy has still yet to disappoint as his grunting be-wildered character is fun to watch and yet again scripted to add that touch of comedy to the story, something he does quite well.

Lawless shys from straight up gun-slinging at times offering a refreshing element when it dies down. It reveals the balance of two potential relationships; with Forrest appearing sceptical of Barmaid Maggie and Jack dangling from the legs of a girl that would be classed out of his league.

Shia Lebeouf is quite convincing as the rookie within the troubled family and although I am a fan of some of his work (Transformers only, not 2, defo not 3), he offers nothing other than a mediocre performance that could have been the result of having very little to represent. His character was left unexplored. However the biggest let down of Lawless was the cameo appearance from Gary Oldman. Whether that was down to actors choice I don't know, but you embrace his onscreen presence at the littlest chance the film offers.

Lawless gets a pass for portraying an emotional story that will always be memorable in terms of it being factual based, even if you do wonder how factual the telling actually is. The fact it is based on some sort of event does convince us to sit and watch it, but for other reasons such as a fictional element, the plot would still appear weak. Like many movies of this genre, the premise will try to win you over by re-tracing its steps with violent scenes. The violence does come every so often and when it does it hits hard, avoiding Quentin Tarantino's slapstick red sauce and more realistic gore, all at the hands of Pearce's character.

I expected much more in terms of a better plot and smarter dialogue. It appeared every time a dull moment was upon us, the film felt the need to dive in with over the top violence. Guy Pearce is the vigilante and is suspect to the result of the scenes you will most likely remember; the violent ones. He sticks out for that reason because his dialogue and on screen portrayal alone will be the only motive behind anyone classing this movie one of the best of 2012. But is that fair? on the bases of one actors performance? maybe not, but the proof is on the screen.

Overall; Entertaining to say the least with a back-forward love story, but without Guy Pearce, the plot and over all characters would have no impact when it comes to the award cabinet...Factual or not!

7/10

Tuesday 25 September 2012

Jackman's Wolverine 2013


"I always thought of him as being lean, animalistic, not necessarily pretty. He has all this berserkery, and he's terrifying when he loses all reason in blind rage."

Those are the thoughts from Hugh Jackman on his vision of the X-Men icon. Empire got hold of the first image from the Wolverine re-boot yesterday. It is a re-boot ain't it? if not it should be. If Jackman's comments above mean anything, he will demand an R-rated premise to the movie with a more dramatic ingredient. After all, he does grow blades from his fists in blind rage!

The image reveals a quality tone to both the overall graphic and the expression of seriousness from Mr Jackman.
For more info including the full interview, click here
http://www.empireonline.com/news/story.asp?NID=35282

Killing Them Softly


Responsible for Chopper (2000), Andrew Dominik carries his violent imagination onwards and beyond The Assassination of Jesse James by the Coward Robert Ford (2007), revealing the dark and twisted character of Jackie Cogan (Brad Pitt); a gun for hire who unlike most assassins, the thoughts of killing his target from a distance is quite pleasuring.

Following the heist of a mob protected poker game, the two amateurs involved are Frankie (Scoot McNairy) and his not-so trusty side-kick, Russell (Ben Mendelsohn). Both guys work for low-key puppet Johnny (Vincent Curatola) who runs a business around Frankie and Russell, with a pay-day depending on the job Johnny supplies.

It is no routine job this time around as Johnny convinces Frankie and Russell to hold up a poker game hosted by Markie Trattman (Ray Liotta), who previously, organised his own cohorts to hold up a protected poker game, leaving himself revelling in the mobs cash. So it is when Johnny sees the second time round an opportunity for some easy money, as well as sticking the blame on Markie's head, opening up a whole new can of worms for everyone involved.

Looking for an immediate response and a possible conclusion to this mess, it is when associates within the mob begin to question those responsible, hiring Jackie Cogan (Pitt) to investigate and wipe out the gang behind the heist.

Killing them softly is not much different from your basic mobster concept, but it does supply two factors; the social setting that reveals the harsh reality of the economic downfall within the slums of America, and a violent drama that although moves at a slow pace, the overall scenes of murder and dialogue result in a movie supporting realistic fashion.

Andrew Domink's latest does carry a lot of pro-American substances, but balances the concept quite well as the cast of characters shed light on the real America, reflecting on a minority of lower class individuals looking to find richness through violence and corruptness. As Jackie Cogan puts it, he represents a personality in business...the killing business.

Although quite short, Killing them softly is a delightful watch, showing the violence and portrayal from all angles. Unfortunately the movie did feel the need to over exaggerate the dialogue element of the film. James Gandolfini's character Micky, who is also brought in by Jackie, had so much potential to make a real mark in filming, but was overlooked by some humorous, sometimes dragged out scenes that failed to express the character he was brought in to represent. 

The plot is a no-brainer as the main ingredient of the movie was to invite the audience into the lives of certain individuals such as Frankie, Jackie, Micky and many more. Although the constant dialogue is smartly written and at times really funny, an hour and fifteen minutes is built up to a climax that ends just like you expected, but all too soon, and without any character development. Some will enjoy the short concept from Andrew as his vision resembles cult classics such as Reservoir Dogs, Mean Streets and Snatch, which are relatively short, characterised movies, but succeeded in having a memorable impact on the audience.

Killing them Softly is a fine example of a film that does not need high-octane action to wow the viewers, instead it teases by nit-picking at the shots of realistic violence and the aftermath of emotions.

Overall;  A refreshing movie with fantastic performances from all of the cast involved. Killing them softly is unique in its own way, supplying a nice soundtrack to match its gritty ambiance. Lacking the action the majority might have expected, the concept is not for everyone. I for one, Loved it!

8/10

                                                              Introducing Jackie Cogan.
                                                    Johnny Cash - The Man comes around

Monday 24 September 2012

Movie Newz: Hitchcock, Apes sequel and the box office!


A Hitchcock Resurrection
A glimpse of the first image and possible poster of Anthony Hopkins in the upcoming Hitchcock film (right).

For those who don't know, the anticipated movie will not be a life-biopic. The film will follow the events leading up to the making of Psycho and the controversies surrounding its development. Supporting a cast to die for, Helen Mirren who plays the wife of Alfred is one of a fine cast set to represent the haunting production that was filmed in 1959.
For more, read Empires article here:http://www.empireonline.com/news/story.asp?NID=35255






Exciting times for the Horror genre
On the brink of Halloween, Sinister (right) looks to be the scariest movie of 2012. The last time a movie truly frightened me was Insidious. I can not wait for this to drop, hopefully near-around Halloween. Horror fans will love what has been seen so far.

Turn out the lights and see the latest trailer here http://movies.yahoo.com/video/ymoviesredband-29056098/sinister-red-band-trailer-30632200.html







Box office
The US box office remains tight as Jake Jake Gyllenhaal's End Of Watch and spooky thriller House At The End Of The Street continue to tie on 13 million. As Ireland await the drop of cop drama End of watch, I can judge House at the End as a pretty mediocre movie. The fact that the US audience are blowing their money on such a film is laughable. Running third is Trouble With The Curve starring  Clint Eastwood; A baseball flick, which means any concept focusing on baseball is meant for the United States only, and maybe Canada. In some other hilarious box office news,  Resident Evil: Retribution thankfully free-falled to 5th position with 6.7 million. Apparently it held top for a short while. So while Resident rubbish and a re-release of Nemo (3D) at 4th, Dredd hardly managed to grab the attention of cinema goers as it gets comfortable with 6.3 million, staying in 6th position. WHAT? Have the US bothered to see Dredd? no! It rocked. Something tells me it is the same minority of people that Adam Sandler and Co target for cash. People open your mind, but at the same time don't be so gullible. After all, you did just see Resident Evil: Retri-who gives a shit!


Scary Movie 5. Obviously
The first screen shot for the next mundane piece of childish comedy. What was once a genius concept that brought a whole new ingredient to the words "spoof comedy", it's fair to say the more they were released, the absolute worst they became. With news that the Wayans brothers have abandoned ship, the release which is set for 2013 will throw more stupidity at us with the credentials of two idiotic and slightly irrelevant actors, Charlie Sheen (again) and Lindsay Lohan (right). I might end up eating my words, but until a teaser drops?, I will hold my pessimistic position.


Texas Chainsaw 3D trailer
So another year and yet another writer struggled to pen something original. Michael Bay or someone related to him - "Hey, I know, let us combine something different. What are the two components in today's filming the fans hate? 3D and Horror remakes, so lets combine both and make some lazy money". Well, congrats to those guys. Watch the latest massacre of what was once a cult classic. (below).



Apes sequel in Jeopardy?
According to Total Film, Rupert Wyatt, who directed Rise of the Apes is planning on calling time on his proposed sequel. What was written to continue on from the previous, Wyatt is struggling to abide by the apparent release date which was set for May 23rd 2014. I know, like a year and a half of preparation. Who knows. Hopefully this can be resolved quickly, as judging from the success of Rise of the apes, it would be fantastic to keep Rupert's imagination.

See the full article here:http://www.totalfilm.com/news/rupert-wyatt-to-leave-apes-sequel


Universally obvious
Universal studios has failed to let the dust settle among this years release of Ted and The Bourne Legacy by revealing a sequel for both movies. Doing what most productions do which is to take a look at the income from both, showing 400Million from Ted alone. For obvious reasons, Bourne failed to live up to the hype. Although they still wish to continue the story of Jeremy's character as they hope to open up a whole new world to the Bourne franchise.

See full here; http://www.totalfilm.com/news/universal-planning-sequels-for-the-bourne-legacy-and-ted


A trailer worth mentioning.


Cloud Atlas is a six minute preview of what looks an extraordinary mess that I wish someone could explain to me. With a fine cast such as Tom Hanks, Hugo Weaving, Jim Sturgess, Halle Berry and many more, they are supporting a concept that seems to collaborate with the past, present and future. It reminds me of the release of Avatar; which went viral and caused insane reactions in terms of the visual, original concept from James Cameron. Cloud Atlas looks to be heading in that direction. This could all be over rated, which is a disease I believe caught up with Avatar in the end! Although one can not ignore the visual mind-fuck of what the trailer has to offer. Cloud Atlas is due for release in October.


 

Tuesday 18 September 2012

The Imposter


The Imposter is a dark and twisted tale that follows the heartbreaking events of a Texas family who describe their path of betrayal in what was supposed to be the homecoming of their 16 year old son.

Narrated by the perpetrator himself, Frédéric Bourdin invites you to follow his devious yet genius plan to disguise his personality. Frederic claims to be 16 year old teenager Nicholas Barclay who despite disappearing 3 years prior, has now turned up in Spain. With very little known of Frederic Bourdin, the french national labels himself a humble guy who was brought up in unfortunate circumstances. He tries convincing the audience to see a positive motive behind was to become a media sensation.

The concept follows an element of two sides consisting of reenactments from Frederic's trail, to actual footage of his time with his new family. On the other hand, the movie focuses on the bereavement and public outcry as members of the family, including the sister of Nicholas, Carey Gibson.  Carey continuously reveals how foolishly tricked she was, as well as numerous relatives being suckered into believing Frederic is 16 year old Nicholas.

Frederic Bourdin's position on the streets had to be convincing, selling the Texas based family a story that might not convince your average Joe, but certainly worked due to an in depth fictional mindset. Frederic sells Carey a 3 year biography of torture and abuse, his pupils being discoloured to prevent him being recognised is just one of many sickening lies from Frederic.

What is originally a straight forward and a surprisingly achievable lie, it is when the story of the boy's return goes viral, inviting people that Frederic and the family did not want. This leads to a nail biting twist and some serious consequences for both Frederic and the Texan family.

Director Bart Layton provided all the ingredients in making a well shot, factual based documentary that unfolds the origin of a qualified fabricator and blending it with a tragic tale of a young boys life. Although the characters involved are highly relevant, one can not help in thinking Bart Layton could have gathered more individuals to explain what is still a mysterious story. Instead, we are left listening to Carey Gibson and the mother who come across annoyingly gullible. In fact they are stupidly fooled into believing they are reunited with Nicholas who, as we can clearly see is not the boy he was 3 years ago. Still, the story is extremely interesting and highly memorable for the narration of Frederic Bourdin who reveals the "in your face" presence that is felt through-out the film as well as the screen your sitting in.

The Imposter is deluding and some what a disgusting portrayal of a con artist that would be forever recognised for misleading an oblivious family awaiting the return of their son, Nicholas Barclay.

Overall; For the lack of documentaries in cinemas, this one, like many, is worth a watch. If you can see past the idiotic family, you will find the Imposter is both enjoyable and very frightening.

7.5/10

Tuesday 11 September 2012

Ten Biopic favourites

It is quite fascinating how we revel in the joys of watching the portrayal of someones life through a television screen. Who would of ever thought, without sticking to fictional guidelines, a writer or director could eventually break the boundaries and construct a movie based on someones human antics whether that theme is inspirational, or downright violent. We have witnessed some extraordinary tales based on extraordinary people, from musicians, Gangsters, serial killers, career achievements and inspiring individuals, past and present.

Below is a list of my favourite biopic movies...ten to be exact! Without choosing those with the biggest award cabinet, this list of movies are significant in terms of how I felt watching them and the enjoyment and memories from both young and old. Indeed most of my list consist of characters and stories that I always had an interest in, describing the movies that helped me widen my knowledge in particular areas and the overall characters of these movies.  

Ray (2004)
Based on the life and times of Ray Charles; a blind musician known more importantly for the gifted pianist he once was. Taking the leading role of the Georgia based icon was Jamie Foxx who was seeking to match his talent for singing with his not-so acting skills. Upon its release in 2004, Jamie turned in a magnificent performance, revealing a frightening resemblance of Ray Charles himself. I adored this movie in every sense. In what was almost a full on musical, the combined characters of Ray's life was achieving success in terms of the emotionality, revealing the highs and lows of a black solo artist in the 1960's.


Dragon; The Bruce Lee story (1993)
Based on a brief childhood, reaching the pinnacle of his career with "The Big Boss", Dragon also focuses on the harsh reality of a china man caught up in an era of racist America. Jason Scott Lee gave the performance of his career, unfortunately one that never reached full establishment, never the less, he proved his worth in representing the greatest martial artist of all time. In what has been labelled a biopic swarmed with more Hollywood fiction than actual facts, Dragon brought to life an icon filled with emotion and ambition, revealing the humble personality he was known to have. Upon its release in 1993, the fight scenes were fantastic to watch and still are, taking into account the lack of real-life sequences in many movies of that era. A favourite of mine growing up and will continue to be.

What's love got to do with it (1993)
Directed by Darren Gibson, the movies visual concept and apparent facts were summoned from Tina's book, "I". Starring Angela Bassett as Anna Mae/Tina Turner, the film takes you through the upbringing of then Anna Mae, to the iconic name she would be forever recognised. The film invites you to follow her infamous relationship with abusive husband and founder of her vocal abilities, Ike. The biopic was criticised for its one-sided biased portrayal of Ike, played by Laurence Fishburne. To me, the music and overall history between Ike and Tina makes this movie enjoyable every time. If it's just for the sing-along, What's Love Got to do with it perfectly juggles both the drama and inspiration, while reaching out to those facing the harsh reality of an abusive relationship. Tina Turner is the perfect role model for those seeking to free themselves without destroying the ambitions in life. Although Just like many Biopics, this also faced the critics, but most couldn't ignore the sensational performance from Angela Bassett.


Michael Collins (1996)
Responsible for finding the Irish free state in 1921, leading the IRA against the British rule, Michael Collins would lead the life of a warrior who was later portrayed as "The Lion of Ireland". Michael Collins involved his republican persona into something that would lead to his death through the cross-hairs of an anonymous shooter. Liam Neeson took up the role of the cork based hero resulting in one of the finest performances from Irish Soil. It does not get more in dept than the tale of the 1916 rising providing a story that would provide significant results. Definitely one of my favourite Biopics that changed the visual of movies not only independently, but globally.

Monster (2003)
Charlize Theron played the demented role of Aileen Wurnos, one of the first female serial killers to stamp American soil with her sadistic ways. Rather than the origin of Aileen, the film focuses on a nine month period which would be most significant in terms of the relationship between her and girlfriend Elby, played by Christina Ricci. A heartbreaking yet pitiful story of one struggling to survive, although her haunting childhood tends to affect her views on society, leading to numerous murders through-out the year of 1989-90. The past of Aileen would forever go on to haunt the highways of Florida where she would act as a prostitute, manipulating customers, resulting in their last image being the barrel of a revolver. A magnificent and scary performance from Charlize, the folks behind the scene accomplished a fantastic job in creating what becomes the soul of Aileen Wurnos, visually and mentally. A chilling tale that seems to grab my attention every time.


Goodfellas (1990)
Continuing with the 90's which saw the arrival of possibly one of the greatest mobster movies ever made. Based on the Book "Wiseguys" by Nicholas Pileggi, Ray Liotta plays the role of Henry Hill. The movie follows the origin of Henry and his association with the Lucchese crime family leading to an obsession he shares for hierarchy alongside the psychotic Tommy Devitto (Joe Pesci). To help keep the two on the straight and narrow is James Conway (Robert De Niro) who completes an element of a sensational cast resulting in a cult classic. Not many words can describe the feeling every time I watch this movie other than it being an epic experience in itself.


Walk the Line (2005)
Joaquin Phoenix was at the peak of his career following the success of Gladiator in 2000. Taking the characteristics of Johnny Cash, Joaquin took up a role which was in my opinion the sign off to his acting career. Reinventing the soul of Johnny cash, Joaquin delivers a fantastic performance, investing everything he had mentally and physically resulting in a tremendous biopic portrayal. The relationship between June Carter (Reese Witherspoon) is seen as a delightful blend through-out as both showed the sheer dedication which was witnessed by the audience gazing into the musical sequences that would quickly lead to emotional drama. The story of Johnny Cash is both heartbreaking and excitingly tearful as the film resurrects a concept that explains the obsessiveness of what the fans had originally seen in the musical and personal history of the Arkansas based icon.


Chopper (2002)
While serving jail time for probably one of numerous convictions, Mark "Chopper" Read wrote his autobiography which led an audience into witnessing the portrayal of Chopper Reid through (Eric Bana) who is also born on Australian soil. Without having much knowledge on Bana's career prior to "Chopper", he was convincing as the unconvicted murderer slash Australian Icon to be. The overall movie is extremely disturbing with a collection of tense scenes that try selling you the life that Mark Reid once ruled. Pushing fear on the pedestrians of Australia, Chopper, who confesses to so much, strangely found a knack for playing with both the law and his apparent victims hoping to be acknowledged as some-what a legend of his homeland. Eric Bana offers a fantastic performance as the movie gradually carries you to the point where Eric has not only inherited the look of Chopper, but the frightening dish he serves the audience using the mental persona of the man himself. Definitely one of my favourites.



 
Ah yes, the birth of the social network apparently began through the brains of Harvard computer genius Mark Zuckerberg (Jesse Eisenberg). I say apparently because that is the keyword to the plot that follows as the result of a revolution in communication leads to a concurrent court battle between a set of twin brothers who had claimed that Mark stole their idea. What starts as a film of ambition and friendship, the invention and global success of Facebook disturbs the personality of both Mark and the people around him as he tries to juggle his sense of greed while trying to deceive the Co Founder and friend Eduardo (Andrew Garfield) out of the business.


The General (1998)
Hailed as a folk hero carrying the reputation of a criminal mastermind, Martin "The General" Cahill (Brendan Gleeson) gained the name through-out the success of two armed robberies. The name Martin Cahill also coincided with a mythical gangster reputation that only the underworld could speak on, with stories including severe torture of enemy run-ins. The film captures more of Cahill the family man, painting a comedic character that knew all to well on how to play both the law and the media. While Martin is facing the possibility of the cops identifying his antics, it becomes all too much as he fights off the intrusion of both the IRA and members of his own team. Gleeson blew the gate wide open for independent actors as he later admitted to arriving into the industry quite late, although his performance proved that thankfully, it was better late than never. The General is always fun on a comedic and knowledgeable sense, digging into the past of one of Dublin's original criminals.

Have you any favourites that you feel should have been included? I too can be curious, so comment below. :)

Sunday 9 September 2012

Dredd

                                            "You have been judged. The sentence, is death."


We have come a long way since Stallone's Judge Dredd in 1995. He was considered as the only option, a good one, at that particular time. The only problem with the result of that movie was the lack of relation towards the comics, referencing nothing other than a PG take on what was considered a production that obeyed the rules of Sly Stallone.

Thankfully the resurrection of Dredd begins at the hands of director (Pete Travis) who not only revives the character, but sticks to the 3000 AD concept that the comics portrayed so beautifully.

The storyline is a simple gritty concept showing the aftermath of a once an inhabitable city, is now run by both law and lawless. The authority that over looks the dead city strings into the hands of judges; a law with no boundaries as the lack of remorse is witnessed using a one man Jury, or a sentence of execution if necessary. As we all know, Dredd (Karl Urban) is one who darkens the days of the drug underworld, patrolling the futuristic ruin of a city he portrays it as.

With routine call-outs, it is no ordinary day as Dredd is introduced to Anderson (Olivia Thirlby) a rookie cop assigned to Dredd to carry along side his line of work as he tends to play witness to her dedication by throwing her into the deep end, the worst end...

Ma-Ma (Lena Headey) is the feeder, a wanna-be dictator who overlooks the city from just one of many towers. A scarred and demented human being, Ma-ma controls the residents of her block, a location considered a no-go for the authorities. It is when two bodies are found at the area that Dredd sees this a fortunate day for Anderson as she makes the decision for both to investigate. The decision results in a grim battle against the worst drug mules in the city as the parasites of Ma-ma's block seek to protect an operation, leading to a war greater than Dredd could of expected.

The movie provides a small cast that help deliver a fantastic piece of entertainment. Its comparison to "The Raid" is quite appropriate as it does indeed take place in one building, but trading the martial arts for some straight up gun-slinging proved a delightful result. Not expecting to be wowed by much, Karl Urban's Dredd supplied an element of a dark soul-less body with an over usage of cheesy one-liners topped off with endless violence. The overall character of Dredd was a joy to witness. From the off you anticipate, just like the raid, the closer he gets to the finish-line, the higher you grin!. I watched with glee as Dredd tore through bodies with clever yet hilarious weaponry.

The sequences were beautiful to watch as Karl Urban's slow motion concept is highly original introducing it to the scenes when it really mattered.

Fans of the Judge Dredd franchise (can't say I was) would be pleased with this re-hash and more importantly the revamping of the character itself. The writers smartly chose to keep on the helmet as it is a brave move that goes unnoticed because of the jaw-line and personality portrayed on screen. Sticking to apparent comic book logic, this is something I believe the fans and audience wanted to see.

Those seeking a fine storyline full of drama and sensibility may keep their torso in one place. This isn't a taste for everyone. I believe anyone who chooses to see this flick to purposely slate it should not bother. Leave that brain you hide with your skull at home and enjoy it for what it is. If so, you will remember how ridiculously hilarious Dredd truly was, and supposed to be. I find I am opening my mind with these kind of flicks. In order to truly see it for what it is, you have to.

Overall; a fantastic welcoming for a character that was almost forbidden a return to our screens. Karl Urban's Dredd is guaranteed to make you laugh while you hide the shocking face of what you had just witnessed. Strictly 18's! YEEEAH!

7.5/10



Thursday 6 September 2012

The Watch


The watch is the latest attempt in reviving the career of Ben Stiller. Unfortunately for him, I am sure most will agree that the last time we laughed at his comedic performance was in Tropic Thunder...four years ago; anything after that was complete and utter horse shit! (apologies).

We follow the happy-go-lucky life of Evan (Ben Stiller), who is your local community savour in a small suburban area. In a Town unified by trust and friendship, it is when Evan's managerial position in Castco comes under scrutiny following the conspicuous murder of the stores late-night security guy.

Evan, who once thrived on the saftey of the residents makes it his mission to track down the killer and end this suburban nightmare. Offering to join the band waggon is Bob (Vince Vaughn), Franklin (Jonah Hill) and quirky Englishman Jamarcus (Richard Ayoade). And so it is from there we witness the formality of the neighbourhood watch consisting of four idiots that are now involved in each others lives to further the investigation of the mysterious murder. The car crash comedy is thrown at you once the watch discover a steel ball which turns out to be the property of an Alien. Once the discovery is made, Evan and co decide to ignore the law of the town Sgt Bressman (Will Forte), a sarcastic idiot who struggles to ignore Evan's intervention.

The Watch consists of a reasonably good cast, who to be frank, were once funny, could not have been more dull in this latest attempt at comedy. It is often phrased that critics do not give the genre of comedy the credit it deserves because too many dramas are stealing the awards. Well, an award will never provide the proof of a good comedy, the majority will decide if certain movies are worth the entertainment, so as I am part of the majority of movie buffs, trust me, with 90 minutes of filming, the watch consists of two..maybe three funny scenes.

Watching this gave me horrific flashbacks of Tower Heist which again provided a decent cast (Stiller...) but failed to make me choke on my popcorn, in fact watching both these movies I had hoped to choke on my popcorn purposely! The jokes showed a lack of ambition which consisted of penis jokes that you would have grown ever so tired of, and CUM, aka semen! (although that was one of three funny scenes).

It could have been so much better, after all, the idea of four individuals hunting a local alien sounds hilarious, so either the cast was wrong or maybe the script should have been used as toilet paper. Vince Vaughn was humorous in parts but down right annoying in most. Ben Stiller's character just bugged me. He was basically the dull baby sitter who was provided with a character that is enrolled to take the matter (Alien on the loose) seriously, while Richard Ayoade apparently has a hilarious reputation in the IT crowd?, this is a horrible example of what he can provide the big screen. Jonah Hill's Franklin provided the movie with the three laughs I mentioned previously.

The best possible ending for this movie was that they all get abducted by the toy-r-us life form and die...unfortunately that doesn't happen!

Overall; There isn't many comedies out at the moment, so I understand the need for a cheap laugh on the weekend. So either just rent "21 Jump street" or go see "A few best men" which to be honest provided me with better gags than the Watch.

4/10



Wednesday 5 September 2012

Total Recall


Another year, another remake. Supporting a bit less testosterone, Colin Farrell plays a regenerated Douglas Quaid; a factory worker who dreams of escaping the reality of the mundane events in life. Set in a futuristic world, parts of the planet has been declared inhabitable. Quaid is curious of his surroundings believing there is more to life than making routine journeys to a job that pays less than the minimum wage.

Desperate to fulfil a getaway, it is when Rekall's advertisement torments the mind of Quaid, coming to a regrettable conclusion. Rekall is known for it's mind-trip concept that inserts a fantasy into the brain resulting in, what appears to be an accurate human memory. In the case of Douglas Quaid, the dream of portraying a Spy for an agency seems appealing.

So for those who remember the 90's version will know that the plot begins with Quaid's appointment with Rekall going horribly wrong, resulting in a cat and mouse chase between him and the law.

Bewildered to the out-come of Quaid's apparent appointment, it is when a task force barges through the building of Rekall looking to retain Quaid. So it is from there we get to grips of Quaid's abilities as he too is confused by his amazing reflexes. We follow Quaid's path as he goes into hiding, while at the same time his focus is to try and discover who he truly is.

Desperate for help, his surroundings appear deceiving as just like Sharon Stone's portrayal in the 90's, Lori (Kate Beckinsale) is the apparent wife of Quaid, the bitch of Recall 2012.

Total Recall offers a fine introduction, eye-ball popping free. It quickly offers a similar concept but a different landscape completely. It is the New York of the future; constantly smothered with the citizens of the remaining, while being patrolled by robotic troops of the law. The noise is endless while you get the feeling through-out the distraction, there is a lot going on behind closed doors, i.e the resistance; a vigilante group who could hold the key to Quaid's answers and possible survival.

Offering to help Quaid is Melina (Jessica Biel), a member of the resistance fighting against the dictatorship of Cohaagen (Bryan Cranston). Cohaagen is a ruthless leader of a law corrupted system; a task force sweating on the fact that Quaid, considered a liability, becomes top priority as he puts his trust in Lori and her cohorts to capture the fugitive that is Douglas Quaid.

Total Recall offers some fine action sequences with a plot that succeeds in sticking to its roots but almost identical at times. It blanks the dusty red kill zone that we had come to know as mars, resulting in a refreshing change of scenary. The characters in the movie pull off well as you find yourself rooting for Colin Farrell's Quaid, revealing a performance which most times in his career has turned sour.

I adored the futuristic style of Len Wisemen's Total Recall, creating some realistic fight scenes and floating car chases. Len Wiseman has thrown in some humorous references to the original, sticking with the smallest of characters including the three boobed lady and Quaid's deceiving friend, Harry (Bokeem Woodbine).

This remake was surprisingly enjoyable...in small parts, considering the fact I rate Colin Farrell very low in terms of movie choices. (Or maybe it's his acting?). Len Wiseman's Total Recall is nothing special. By that I mean it is enjoyable in terms of a science fiction action movie. It could be included with one of very few remakes that supplied a slice of entertainment, just as the original had done. Although the 80's-90's Arnie era is laughable and quite cheesy, the performances in this return resembles that of the original in relation to the mediocre acting.

There are very few cast members that help to make this an easy watch. Colin Farrell, whom to this date has yet to pick a movie with a challenge, has come out of this flick in fortunate circumstances as he could do no wrong as your basic survivor slash hero.

Someone who is worth a mention is Bryan Cranston, who sadly appears as an extended cameo, although it was still excellent to see him portray a pure bad ass...Breaking Bad "cough!"

Overall; Sticking to pieces of the original supplied me with the entertainment I went in to expect. A better watch than "The Bourne Legacy" that's for sure, but will never match that of Arnie's classic. (apologies for the comparison)

6.5/10

Saturday 1 September 2012

Independent prospect: Justin Casey


We are currently relishing in the fact that at the moment, possibly for the first time, a percentage of Irish can actually listen and enjoy the growth of Irish hip hop. Without taking away the fact that I for one have always enjoyed our rap culture, the harsh reality is that Ireland still struggles to take our very own seriously when it comes to expressing the abilities of lyrical flow.

The success of The Original Rudeboys has opened up a whole new genre of Irish hip hop, leaving the door open for talent to follow, whether it's a concept to sing, rap, or maybe both. So on that note, I wish introduce, to those who are unaware of the rising talent that is, Justin Casey.

Who? Again (for those who don't know), Justin Casey is a 21 year old singer/songwriter and part-time rapper from Tallaght. Justin carries an unfortunate up-bringing that would inspire each and every one of us. Just over a year ago, Justin resolved to desperate measures as he started to develop and express his vocal skills to the streets of Dublin. According to Justin, life wasn't always strawberries and cream as he describes his time from busking, to recording in a studio. He said "I started singing a little over a year ago. I was homeless for a few months and started busking to make money, that is when I started. Then about 7 months ago I started recording and putting music up"

Justin, along with the band are touching 5,000 views with their latest track, Afroman's Colt-45. In terms of previous work, Sound cloud is supplying a great source for Justin's library of music, where tracks such as "Raging Waters "State of mind" and a cover of "9 crimes" can be played and downloaded for free.

According to Justin (right), each song has truthful meanings in relation to life experiences, describing his desire of including his very own touch of Irish rap as a "better understanding to my lyrics". A fine example of story telling through his lyrics is Justin's very own Raging waters, which reflects hugely in terms of his personal life. He explains "yes, it is written about my early life. I was put into care at 4 months old. I then went to O'malleys foster family until I was 15 then moved into a residential unit. After nearly two years there my da killed himself. I went off the walls and was kicked out of the residential unit. I spent a year with a few different family members and wound up on the streets. So yeah, raging waters is based on that."

 With very few gigs to represent, Justin's fondest memory is supporting the Original Rudeboys at their album launch in the Grand social; "supporting the lads was only my third ever gig. My first was in Captain Americas. It was an open-mic night. The second was in Aherns pub representing a cancer benefit night".

Fortunately for Justin, a good deed towards cancer resulted in supporting one of Dublin's up and coming, hoping this was the break he deserved. He said " Thankfully on that night there was a well known manager from MCD there. he was there because he knew the person who's benefit night it was, so after I performed he called me over. He said he really enjoyed my set and that I reminded him of the Original rudeboys".
Coincidentally, the Grand Social was one of many venues at that time to host the Original Rudeboys leading to quite an accomplished album in, This Life. Independent artists are swarming the scene by the week, particularly Dublin which I am proud to say. With old and new embracing us with talent, it will really take something fresh to persuade the listeners/viewers of Ireland that you, apart from the rest, is in a sense, original. Justin Casey has no doubt got the vocal abilities to "wow" an audience, with his own take on Irish rap to help provide that true meaning to his tracks.
Besides from the events in life that inspired Justin Casey's music, he quickly pays homage to whom, as an artist, inspires him. He said " Ed sheeran has played a huge part in my inspiration as well as being a fellow ginger, his music has opened my imagination big time. Without fail the Original rudeboys have played their own part of inspiring me. He continues to say; "I wrote state of mind after hearing 'Stars in my eyes'. It showed me a way to say what was needed and in more detail than if I was to sing the verse. I found that to rap parts of the track could give off more of an understanding to my lyrics, particularly in "State of mind".
There are currently three tracks on youtube; a great take on Afroman's Colt-45,  a cover of 9-Crimes and Justin's very own, featuring Veer Left, Wrong Road (below)

Justin Casey has taken the usual route of trying to discover his talents through the people of Ireland. There is nothing more powerful than the social network, a concept that has proved worthy of developing a wider audience for the artist in seek of a particular goal. With a facebook page and a youtube account up and running, I believe Justin is happy with the response so far, as he trys directing the people with interest towards his sound cloud. I asked Justin about his reaction to the response thus-far, he said; "As the days go by I am more and more overwhelmed at the feedback I am receiving. I never thought so many would seem to like my music believe it or not, but since we started talking, my page has got over 40 new likes ha ha, it has got over 150 today alone".
With the youtube views growing every day, the three songs, (two covers) consist of nearly 6,000 views between them. In terms of what the future holds, Justin remains optimistic. Describing himself as "just some chap on the dole that can play guitar", he looks to keep writing in preparation of numerous gigs in November. He explains; "I have been focused on writing a nice back catalogue of songs, although I don't plan on any gigs till November where I will be playing the academy 1 as part of block c studio sessions. so I am just writing till then, with the odd video here and there"

Hopefully the people share the same opinion as I do on this guy. In terms of using his Dublin accent on his tracks, Justin could play a part in resembling our very own Damien Dempsey or Ryan Sheridan, which is a statement I think even Justin will disagree on. let us notice the fact that Justin's vocal abilities are fantastic, offering a likable character and a great band representing him. At the moment I can't think of many Independent artists seeking to achieve something they haven't already. Sure, we can continue to take into account the desire of vintage "Irish rappers" and the effort they have put into gaining some sort of recognition, but I have said my piece on that category. Justin Casey is one of very few in the mix to follow a genre of artists who knows, with the correct element, (I have explained that element too many times now) he will acheive something. It is a result that must be looked at in the long hall where he will be eventually considered among a popular scene, whether it is using his singing abilities, or chancing his arm at the jaws of Irish hip hop.
An Independent prospect - Show your support: Those willing to support Justin Casey can purchase a ticket for the Academy session which takes place on the 23rd of November. Tickets on sale September.

*Click and Share the link (below). It will take you to Justin's version of Colt-45 which is in contention to be one of eight entries to play at the Academy. Depending on views, Justin could be in there to win the competition which will see a category of artists perform and be professionally recorded. http://www.youtube.com/watch?v=HYnop5c70L8

*Like and share the facebook page. Here you will find the latest info/songs from Justin. http://www.facebook.com/JustinCasey2012

*And finally, the source for Justin's music so far. All to download for free. Widen your knowledge, here. http://soundcloud.com/jcasey2012